Yo-Yo Ma Joins the Boston Symphony Orchestra and Andris Nelsons to Record the Shostakovich Cello Concertos

Shostakovich: The Cello Concertos will be released on 25 April 2025 –
listen to the first movement of Concerto No. 1 here

The two concerto recordings are also included in the BSO’s monumental Shostakovich anthology, it too coming soon as part of the commemorations surrounding
the 50th anniversary of the composer’s death

“I think Shostakovich’s artistic truth was to represent the voice of the voiceless”

Yo-Yo Ma

In October 2023, cellist Yo-Yo Ma returned to Boston’s Symphony Hall to play Shostakovich’s two cello concertos with the Boston Symphony Orchestra and its Music Director Andris Nelsons. Recorded by a team headed by legendary Hollywood producer Shawn Murphy and BSO lead recording engineer Nick Squire, their performances of these two very different works are now set to be released by Deutsche Grammophon to coincide with the 50th anniversary of the composer’s death in 1975.

Shostakovich: The Cello Concertos will be issued as a standalone digital, CD, and vinyl album on 25 April 2025. The opening Allegretto of the First Concerto will be available to stream or download from 28 February. Yo-Yo Ma’s recordings are also included in the anthology bringing together the BSO’s decade-long, GRAMMY Award®-winning Shostakovich project. This contains all fifteen symphonies, key incidental works, new recordings of the complete cello, piano, and violin concertos – the latter with soloists Yuja Wang and Baiba Skride respectively – and the first commercial audio release in more than 20 years of the composer’s only full-length opera, Lady Macbeth of the Mtsensk District. It will be released digitally and as a 19-CD box set on 28 March.

Shostakovich’s Cello Concerto No. 1 in E flat major dates from 1959. Cast in four movements, it was dedicated to and premiered by the composer’s old friend Mstislav Rostropovich. Yo-Yo Ma has played the work many times, and here brings out the contrasting moods of its writing, from dark irony to poignant lyricism, with his signature virtuosic brilliance. In many places he creates an eloquent dialogue with BSO principal horn Richard Sebring.

Reviewing the First Concerto performance, the Boston Globe wrote, “in the second movement’s eerie duet between the cello and celesta, the high-pitched sound of Ma’s cello harmonics was so thin and crystalline that they sounded like a wind instrument. The extended cadenza was pensive, slowly ramping into the sardonic burlesque of the finale, which sent the orchestra hurtling to the finish line with Ma clinging to his cello as if for dear life.”

Rostropovich premiered the Second Cello Concerto in G major in Moscow on 25 September 1966, Shostakovich’s 60th birthday. He was also the soloist for the BSO’s first performance of the work, which, by sad coincidence, took place on 10 August 1975, the day after the composer’s death.

The Second begins in a melancholy vein, with a sighing phrase for the solo cello. After the extended Largo, the second and third movements are played without a break. Shostakovich mimics a street song from Odessa in the central Allegretto. That tune is dramatically restated in the finale, which begins with a horn fanfare and eventually ends with wood block, tom-tom, snare drum, and xylophone (part of the orchestra’s huge percussion section) punctuating a long-held drone note from the cellist.  

This more reflective, inward-looking work is less frequently performed than its predecessor. As noted by the Boston Globe, however, “one could scarcely have asked for a better trail through [this less familiar territory] than the path Ma charted with Nelsons and the BSO … Here the cello brooded resolutely … there it raged in dark outbursts only to be answered by explosive thuds from the bass drum.”

Yo-Yo Ma will be reunited with the BSO and Nelsons at Symphony Hall on 11 April 2025 (sold out) and at New York’s Carnegie Hall on 24 April. Together they will perform the First Cello Concerto as part of an all-Shostakovich programme which will also feature the composer’s Symphony No. 11 “The Year 1905”.

“Having Yo-Yo Ma, one of the greatest cellists of our time, join us on our journey through Shostakovich’s music has been an immense privilege and a joy for all of us at the BSO,” says Andris Nelsons. “Yo-Yo has a totally unique imagination which infects everyone around him. His incredible range and depth and his humanity are ever present when performing Shostakovich’s demanding cello concertos. We are very proud to present this recording with Deutsche Grammophon, including as part of our complete Shostakovich box set, and I look forward to reprising the First Cello Concerto with Yo‑Yo in Boston and at Carnegie Hall later this spring.”