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Composers

Georg Friedrich Händel

FANTASIA Magdalena Hoffmann

Fantasia 

Digital 1

Fantasia in E-Flat Major, H. 348 (Transcr. for Harp)

Prelude in C Minor, F. 29 (Transcr. for Harp)

Fantasia in A Minor, F. 23 (Transcr. for Harp)

Prelude in C Minor (Transcr. for Harp)

Fantasia in C Minor (Transcr. for Harp)

I. Prelude

II. Allegro

Prelude in C Minor, BWV 921 (Transcr. for Harp)

I. Ouverture (Transcr. for Harp)

I. Prelude (Transcr. for Harp)

Air in G Minor, HWV 467 (Transcr. for Harp)

Fantasia in D Major, H. 160 (Transcr. for Harp)

Fantasia in G Minor, BWV 917 (Transcr. for Harp)

Prelude in D Minor, HWV 562 (Transcr. for Harp)

Fantasia in D Minor, F. 19 (Transcr. for Harp)

Fantasia in F-Sharp Minor, H. 300 "Bachs Empfindungen" (Transcr. for Harp)

Sinfonia (3-Part Invention) No. 11 in G Minor, BWV 797 (Transcr. for Harp)

Digital

Apple Music Album

Amazon Music

Spotify

Amazon physisch Album/Track

Amazon MP3 Album/Track

iTunes Album

Deezer White

Tidal

YouTube Music

Idagio

Qobuz

STAGE+ Audio

La Boite a Musique

Presto Classical - Physisch

DG Artist Store

Works by J.S. Bach · Handel · Weiss C.P.E. Bach · W.F. Bach

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Magdalena Hoffmann releases her second DG album Fantasia, focusing on the music of the Baroque period. Channeling the period&rsquo;s contrasting spirit of improvisation and formal rigour, Hoffmann showcases the harp in a collection of fantasias and preludes originally composed for keyboard or lute by Bach, his sons Wilhelm Friedemann and Carl Philipp Emanuel, as well as his contemporaries George Frideric Handel and Silvius Leopold Weiss.<span class="EOP SCXW80684002 BCX0" data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:257}">&nbsp;
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Using the resonance and versatility of her instrument, Hoffmann adds new spatial dimensions to this richly imaginative repertoire. &ldquo;The harp offers the possibility of great inner tension and a kind of spiritual dynamic which has a liberating effect,&rdquo; she notes. &ldquo;And that means each fantasia is like a musical snapshot that sounds different every time you play it &ndash; its energy is infinite, and it can never be definitively captured.&rdquo;<span class="EOP SCXW80684002 BCX0" data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:0,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:257}">&nbsp;
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