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Seiji Ozawa

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Seiji Ozawa Passes Away at 88

It fills us with incredible sadness that Seiji Ozawa &ndash; one of the greatest musical minds of our time and ultimate master of sensuous sound &ndash; has passed away. His rich and lasting recording legacy on Deutsche Grammophon has spanned over half a century, featured leading orchestras across three continents and encompassed musical traditions as varied as the American, Austro-German, French and Russian schools. &nbsp; Deutsche Grammophon President Dr. Clemens Trautmann comments in a personal note: &ldquo;It was Seiji Ozawa&rsquo;s legendary ballet recordings of &ldquo;Nutcracker&rdquo; and &ldquo;Swan Lake&rdquo; with the Boston Symphony Orchestra that nurtured my musical passion as a child; and later as a music student Seiji Ozawa&rsquo;s groundbreaking interpretations of then rarely performed works by Berlioz, Dutillieux, Faur&eacute; or Messiaen opened up an entirely new cosmos to me &ndash; like they did to a wide global audience of music lovers. The natural elegance and subtly glowing energy were palpable throughout all of his recordings and performances, even in the last few years when we were so privileged to celebrate Deutsche Grammophon&rsquo;s 120th anniversary with Seiji Ozawa and his Saito Kinen Orchestra at Suntory Hall. &nbsp; &ldquo;The warmth, generosity and sense of humour that Seiji Ozawa radiated in personal encounters and conversations are among the most memorable experiences for anyone who had the pleasure to meet him, and he inspired so many young talents with his aura, advice and selfless support. He will be very much missed.&rdquo;

Boston Symphony Orchestra Seiji Ozawa

Berlioz: Symphonie fantastique, Op. 14, H. 48

BERLIOZ Symphonie fantastique / Ozawa

Berlioz: Symphonie fantastique, Op. 14, H. 48 (916324)

The era of Seiji Ozawa as principal conductor of the Boston Symphony Orchestra spanned an impressive 29 years - a period of unparalleled musical excellence.

The era of Seiji Ozawa as principal conductor of the Boston Symphony Orchestra spanned an impressive 29 years - a period of unparalleled musical excellence. Even before officially taking office, Ozawa and his orchestra created a multi-faceted recording of Berlioz's Symphonie fantastique on Deutsche Grammophon that was praised by the New York Times as particularly "light and mercurial."